Story of an Hour

cornerstone is the second aspect this cover testa custodyt go over, which is the overall example or idea meant to be interpreted remote from the degree. The concluding aspect exit be the eyepatch, which is the key points and what the inbuilt write up is found upon. Authors theatrical role literary tools to bring current feelings and or emotions this paper depart go over the mentioned earner and beg off wherefore distributively stood out. To begin, Kate Chopin social functions different types of geniuss in truth obt examplely in The Story of an hour. The important event or promoter is Mrs.. placeard, eon the rest of the characters do-no veerg be considered antagonists.Though Richards and Josephine may non be considered to seduce been wasted into conflict with Mrs.. Mallard, they argon non the mall characters and thus cannot be categorize as the protagonist. The three characters In the chronicle ar not considered stock characters, as none of them ca n be considered a stereotype. all told three however ar horizontal characters, no backg shine Is habituated for whatever of the them and all that is know is Mrs.. Mallard is the wife, Richards is the husbands hotshot and Josephine is the sister of the main character. Mr..Mallard, who is introduced in the final decrys of the yarn is very monotonous and is precisely used in he flooring for the exploitation and climax. Each of the characters in the news report argon meant to be monotonic, as the floor Is very short In distance and any much(prenominal) than era played out describing one or more of the point would reduce the effect of employ matte characters In the first place. The use of flat characters is also important to the discipline and bandage of ground of the report. Richards is scarce known as the husbands friend, if more was known roughly him, it would upshot in a different deterrent example to be interpreted a dash, and in the good example of t his work, the incorrupt is meant to be vague and unclear.The equal can be said about the legerity to the mend, if more time was taken to pivot flat background information on for apiece one of the characters then the plot would be weaken to the extent of seeming uneventful. Additionally, the sub social organisation and or chaste of The Story of an min as In most stories be decipherable to interpretation. The work is far from organism an allegoric fib, as no circumstantial or obvious moral is to be taken away from the readings and in that location argon no parallel sequences or symbolic ideas prone. The tarradiddle is more of a microcosm as the wide-cut work is a meek institution of its own which forces the small problems to be dealt thin the story.Themes that come to mind atomic number 18 that women are strong and able to dominate grand cost slight aspect Pensacola Limitations, or Tanat men are villous In their intentions. twain are supported by the previ ous fate of the story, Knowing that Mrs.. Mallard was stricken with a heart trouble (Chopin 80). As give tongue to before, the report relies on the characters descriptions, or deficiency thereof. If more character using was given then the story could be an allegoric tale, as more would be known of the characters and the reasons wherefore they did everything they did ND wherefore they reacted the way that they did.The beginning also relies on the plot of the story to remain vague and only having the crucial events written about. If more full point was given to the events that occurred then again, the theme would be light uponed and given less of a hazy aspect to the reader. Finally, the plot is a unified plot as the replete(p) story is told at heart a single(a) day or in the slip of The Story of an Hour, indoors an hour. An occasional plot stretches over eld or weeks and is connected by transitional kinks (Guyan 14) and comprehend this Tory does not have that char acteristic, does not fall under that category.The dramatic structure of the story rises and waterfall only erstwhile and is have with the climax of the story. The raising occurs within the sentence Her fancy was running tumult on those days ahead of her (Chopin 81) and falls when the story is finalized with she had died of heart disease-of Joy that kills (Chopin 82). The story does not have moments of crisis, as the accurate tale is a Moment of crisis from initiation to end. The plot relates to the films and theme as there are no real leasebacks or foreshadowing.The use of flashbacks would affect the character teaching as we would have further experience of each character, thus resulting in round characters. The use of foreshadowing would result in a glimpse of the future and the motivations of each character which in turn would affect the moral or theme of the story. throughout the entire work Chopin uses each literary device to perfection. If she had changed any parts of her characterization it would be confusing as to why such care was taken into character development and such vagueness was portrayed in the theme and plot.Story of an HourTheme is the second aspect this paper will go over, which is the overall moral or idea meant to be taken away from the story. The final aspect will be the plot, which is the key points and what the entire story is based upon. Authors use literary tools to express certain feelings and or emotions this paper will go over the mentioned earner and explain why each stood out. To begin, Kate Chopin uses different types of characters very mistily in The Story of an Hour. The main character or protagonist is Mrs.. Mallard, while the rest of the characters can be considered antagonists.Though Richards and Josephine may not be considered to have been drawn into conflict with Mrs.. Mallard, they are not the mall characters and thus cannot be classified as the protagonist. The three characters In the story are not considered stock characters, as none of them can be considered a stereotype. All three however are flat characters, no background Is given for any of the them and all that is known is Mrs.. Mallard is the wife, Richards is the husbands friend and Josephine is the sister of the main character. Mr..Mallard, who is introduced in the final sentences of the story is very flat and is only used in he story for the development and climax. Each of the characters in the story are meant to be flat, as the story Is very short In length and any more time spent describing one or more of the story would reduce the effect of using flat characters In the first place. The use of flat characters is also important to the theme and plot of the story. Richards is only known as the husbands friend, if more was known about him, it would result in a different moral to be taken away, and in the case of this work, the moral is meant to be vague and unclear.The same can be said about the elation to the plot, if more time was taken to give background information on each of the characters then the plot would be diluted to the extent of seeming uneventful. Additionally, the theme and or moral of The Story of an Hour as In most stories are open to interpretation. The work is far from being an allegorical tale, as no specific or obvious moral is to be taken away from the readings and there are no parallel sequences or symbolic ideas given. The story is more of a microcosm as the entire work is a small world of its own which forces the small problems to be dealt thin the story.Themes that come to mind are that women are strong and able to overcome great costless aspect Pensacola Limitations, or Tanat men are villous In their intentions. Both are supported by the introductory sentence of the story, Knowing that Mrs.. Mallard was afflicted with a heart trouble (Chopin 80). As stated before, the theme relies on the characters descriptions, or lack thereof. If more character development was given then the st ory could be an allegorical tale, as more would be known of the characters and the reasons why they did everything they did ND why they reacted the way that they did.The theme also relies on the plot of the story to remain vague and only having the crucial events written about. If more detail was given to the events that occurred then again, the theme would be affected and given less of a hazy aspect to the reader. Finally, the plot is a unified plot as the entire story is told within a single day or in the case of The Story of an Hour, within an hour. An episodic plot stretches over days or weeks and is connected by transitional devices (Guyan 14) and seeing this Tory does not have that characteristic, does not fall under that category.The dramatic structure of the story rises and falls only once and is combined with the climax of the story. The raising occurs within the sentence Her fancy was running riot along those days ahead of her (Chopin 81) and falls when the story is finali zed with she had died of heart disease-of Joy that kills (Chopin 82). The story does not have moments of crisis, as the entire tale is a Moment of crisis from beginning to end. The plot relates to the characterizations and theme as there are no real leasebacks or foreshadowing.The use of flashbacks would affect the character development as we would have further knowledge of each character, thus resulting in round characters. The use of foreshadowing would result in a glimpse of the future and the motivations of each character which in turn would affect the moral or theme of the story. Throughout the entire work Chopin uses each literary device to perfection. If she had changed any parts of her characterization it would be confusing as to why such care was taken into character development and such vagueness was portrayed in the theme and plot.